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Know the amount we should practice according to age (scientific study)

The body changes over the years, and with it our most intimate habits also evolve.
Love is one of the great motivations of the human being, and finding our better half is one of the vital goals of many people. Relationships go through good and bad times, and although we value many things about the people who will accompany us for the rest of our lives, sex is, without a doubt, one of the most important.
In fact, the benefits of sex are many , and researchers have, on multiple occasions, found that good sex is an important factor in keeping a couple together. Of course, it is not the only one. A debate around this issue is still alive today: “What is more important, quality or quantity?”
In the following lines we will answer this question and delve into the amount of sex that most couples tend to have according to age .
Does more sex equal more happiness as a couple?
It is said that living beings are characterized by being born, reproducing and dying. But human beings are complex beings, and our experience cannot only be understood by the neural connections of our brain. Human beings think, memorize, feel, get excited … and the sexual experience goes beyond simple intercourse and the fact of reproducing ourselves .
Therefore, an active sexual life favors happiness and well-being in the couple. But … does having more sex mean enjoying greater happiness? Many individuals may agree that the happiest couples are those who are most passionate and who have a large amount of sex a week. However, this is not what a group of researchers from the University of Toronto Mississauga in Canada assures. According to the results of their research, sex makes us happier to some extent.
Their study had a sample of 30,000 subjects, as the scientists analyzed data from three studies: a survey carried out in the United States, which included the period from 1989 to 2012 by subjects aged between 18 and 89 years; an online survey created by the researchers themselves and a third study that lasted 14 years, also answered by American couples.
The results of the study suggest that it is necessary to have sex with a certain frequency , but having sex once a week is enough to maintain balance and happiness in the couple. That is, more times a week does not necessarily make couples happier, but less than a weekly session does negatively affect the well-being of those in love.
The importance of age and happiness regarding sex
In reality, determining the amount of sex a person can have per week to be happy can be complex. In fact, recent research claims that some factors influence this amount, and age is important. Depending on the age, a person tends to have more or less sex. When we are young, sex is perhaps the most important thing in the relationship, but with age we value other things about the couple and we have other needs. For example, having someone close and starting a family.
This study was carried out by the Kinsey Institute for Research on Sex, Reproduction and Gender of Rosario (Argentina). That age influences the amount of sex we have makes sense, since as we get older we have more responsibilities, we have lived longer, testosterone drops and we have more family responsibilities. So it is not surprising that the Kinsey Institute found that between the ages of 19 and 29, the average number of sexual encounters per year is 112 , that is, about twice a week.
However, those couples who are in the age group of 29 and 39 years have an average of 86 sexual relations a year (1.6 times a week). So young people have more sex than older people.
Do married people have less sex?
This study also found an interesting result. And it is often said that married people tend to have little sex. Well, according to the data of this research, 34% of married couples have sex two to three times a week .
Likewise, married people, even if they don’t have a lot of sex, are usually just as happy as married people who make a lot of love. In fact, the benefit was the same for married couples who had sex 3-4 times a week than for couples who had sex less frequently.
On the other hand, the results also yielded the idea that older and married women are happier than younger ones . According to the scientists “because they surely know themselves and their partners better and, although they have less sexual relations than the younger ones, they feel greater satisfaction than the younger ones.
The benefits of having sex
Having sex not only provides psychological benefits , but the immune system of our body improves, we rejuvenate, we improve our cardiovascular health, our physical condition and much more.
- If you want to know what are the benefits of having sex, you can read the article
- ” The 13 benefits of having sex, according to science“

Ody Team is a qualified social media expert at Coding The Line, London. He had graduated from the University of Cambridge

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The Victorians: An Unexpected World of Erotica and Pornography [18+]

The subject of erotica is vast. Even reduced to only the Victorian world of erotica, it’s a challenge to write about in the space of an article. Really, it’s more the stuff of a book, and indeed many books have been written on the subject! Erotica is tied up with so many other major subject areas: feminism, the scopic consumption of the human form, voyeurism, immorality, domestic virtue, and pornography, to name a few. These and many more conspire to make erotica a much more complex visual form than it might at first seem to be. Let’s concentrate then on sampling some of the images of the era as voyeurs in our own right. However, be warned: some of these images really are explicit!
Victorian Erotica and Pornography: Early Days
Before the Victorians there was Thomas Rowlandson (1756-1827), who was a representative of Georgian Era. He was an artist and caricaturist famous for his absurd depictions of the times in which he lived. He was a purveyor of the satirical print, which, at the time, was extremely popular both in and out of England. In terms of his more “naughty” works, he had a fondness for depicting young curvaceous maidens being topped by a variety of very virile men, all with big smiles and literally everything on show.
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Often the young and willing ladies are ogled by much older and very ugly men. Sometimes there is even a third character in the room looking around the corner or from behind a door as if to catch the lovers in flagrante.
The scenes are ridiculous and hilarious (I laughed out loud several times looking at these and trying to decide which ones to show). Have you ever wondered where the makers of the cartoon film Jungle Burger AKA Shame of the Jungle (1975) might have found some of their inspiration? Look no further than Rowlandson! They were considered in their time though to be very rude indeed, and were censored by c. 1840.
Victorian Erotica and Pornography: A Hidden Side
The Victorians have a reputation for being very uptight and overly moralistic when it comes to the carnal pleasures. Phrases like “no sex please, we’re British”1 and “lie back and think of England”2 come to mind when we consider them. To some extent we are right to think about them in that way. There was a public moral loathing of debauchery.
Prostitution, adultery, and homosexuality were just a few activities that were seen as an affront to Victorian ideals of domestic purity, and to feminine virtue in particular. It is interesting to note that homosexuality between men was a criminal act, but not between women. It was the act of penetration that was deemed loathsome. Therefore a Victorian woman, being not in possession of a penis, was not physically capable of it.
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It is nonsensical to think that a society could be so outwardly righteous without wondering where the outlet might be for basic sexual desires. For the Victorians, sex for the purposes of procreation was a necessary evil. Yet the moment it became lustful or sinful, it was problematic. As mentioned before, “dodomitical miscreants” were the most heinous of all. The following passage is from The Phoenix of Sodom, or the Vere Street Coterie:
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One of these horrid wretches got hold of a fine handsome boy, whom he met with in the Park […] for the most abominable purposes. The lad had the curiosity to watch him home; and having called many times without seeing him, the wife was induced to ask his business with her husband? when this young student in the cursed science told her […] The woman, struck with horror, grief, and amazement, retired to her room, and was a corpse in an hour!
The Phoenix of Sodom, or the Vere Street Coterie, was written by lawyer Robert Holloway in 1813. It was about the case of a group of men arrested and found guilty of homosexual acts. The two were hanged, and the other six pilloried as punishment for their crimes. The attitude towards homosexuality didn’t improve during the Victorian era. To either produce or to possess these images was at great personal risk. The accusation of being involved in “the gully-hole of breathing infamy”, a euphemism for anal sex, could end a man’s life. What sad times to be one way, but to have to pretend to be another.
Pornography Advanced by Photography
Their external outrage however hid a different side which was partly fed and satisfied by erotic images. As shown by the image above, it was to some extent the invention of photography that transformed Victorian erotica into something closer to pornography. Cartoons can be very erotic or just downright dirty, but they are only impressions of reality, therefore there is a certain element of fantasy present. We are shielded from contamination, and allowed to view content that is questionable without compromising our sense of what is proper and what is not. The photograph has no such qualities. What we see is real, it is happening, it cannot be forgotten, and it certainly can’t be laughed at.
Photography was used for this purpose almost as soon as it was invented. The Victorians, for all their outward respectability and high-minded principles, had another, secret life in which these images were circulated.
Well, now that we’ve filled our heads with plenty of old-fashioned smut, we probably all need a good spanking to rid ourselves of all these impure and slutty thoughts!
You Can Also Read: victorian pornagraphy
Footnotes

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The Dystopian Surrealism of Zdzislaw Beksinski

There are many fans of gruesome and gore art who are attracted to the dystopian surrealism of Zdzisław Beksinski. After all, he created such a gothic, haunting and stressful ambience in his paintings, making it hard to look away. He was a pioneer of Polish contemporary art. So, let’s have a look at his life and of course his work!
The Man Before the Artist
Zdzisław Beksinski was born on 24 February 1929 in Sanok, southern Poland. He studied architecture at the Krakow University of Technology. He survived World War II and continued to draw provocative pieces during communist times in Poland, when many forms of art were frowned upon, especially by the pro-Soviet Government.
In 1955, Beksinski returned to Sanok after completing his studies and worked as a construction site supervisor and as a bus designer. He didn’t like either of the jobs.
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Photography
While working at the construction site, Beksinski also occupied himself with photography and sculpture. His photographic works were characterized as Surrealistic and Expressionist.
In the early 1960s he gave up on photography. He was disappointed by the limited possibilities of altering the images. So, he turned to painting.
Beksinski’s Heyday
Beksinski started experimenting mostly with oils, even though he used acrylics too. He started working on the photographs he had previously taken by using the original photo and adding whatever he wanted. He never visited museums and did not admire any great artists in particular. While painting, he always listened to classical music, although he enjoyed rock music too. It was to music that he owed his inspiration to.
Regarding the meaning of his works, Beksinski insisted that there was none. In fact, that is the reason why the vast majority of them is untitled. He left it to the observer to comprehend each piece as they wanted.
Dystopia is defined as an imaginary, undesirable and horrific place. It is the exact opposite of utopia, which is the ideal place or society, where there is no crime or poverty. Surrealism was a 20th-century movement which promoted the full liberation of the subconscious. The two of them combined create the dystopian surrealism of Beksinski. It is this nightmarish ambient with scenes of grotesque, horror, death, anxiety and decay.
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Beksinski named this period a “fantastic” one and it lasted up to the mid-1980s. The concept throughout the years, and even in his latest works, remains the same: oneiric and hellish, disturbing landscapes and figures.
Despite the grim overtones, he felt his works were misunderstood. According to him, they were optimistic and even humouros. Plus, he painted in great detail because, according to his words:
I wish to paint in such a manner as if I were photographing dreams.
International Acclaim
In the mid-1980s, Beksinski saw his reputation skyrocket due to two factors: the first one would be his contract with Piotr Dmochowski in 1984. Dmochowski spread Beksinski’s art to the west. He had exhibitions in the USA, France and even Japan. The second factor would be Beksinski’s denial to paint what was popular in the art industry. He didn’t have any interest in becoming the critics’ favorite, he always created what he wanted and what was true to him.
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Personal Tragedy
In 1977, Beksinski moved to Warsaw with his wife, Zofia, and their son, Tomasz. In 1998, Zofia died of cancer. The next year, Tomasz, who had become a famous radio presenter, a music journalist and a movie translator, committed suicide. Beksinski never recovered from that and he closed himself off, even though he wasn’t very social anyway. In 2005, age 75, he was stabbed to death by the 19-year-old son of his caretaker, Robert Kupiec, because he refused to lend the teenager some money (around $100). Kupiec was sentenced to 25 years in prison on 9 November 2006.
Beksinski completed his last piece (the one below) on the day of his death, 21 February 2005.
Artistic Legacy
Beksinski inspired many artists. Guillermo del Toro credits him for the movie Pan’s Labyrinth, for which he won an Oscar in 2006. Also, Beksinski’s works are often compared to those of Hans Giger, the Swiss painter who designed the eerie creatures of the movie Alien in 1979. In 2016, Jan Matuszynski directed a movie, The Last Family (Ostatnia Rodzina), which is about Beksinski’s life. Below you can see the movie trailer:
A big red cross is placed today at the Burning Man location in the USA, as an ode to the artist.
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In 2016, the Historical Museum in Sanok opened a gallery with more than 600 works of Beksinski. It is the biggest exhibition in the world with his artworks!

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5 Greatest Baroque Painters and Their Works

1. Caravaggio, Bacchus
Few people are aware that the first of our Baroque painters, Michelangelo Merisi, better known as Caravaggio, was more famous during his life for his violent behavior rather than for his art. The Italian artist from Bergamo came to be known as a pioneer of tenebrism (tenebroso), the use of dramatic contrast between light and shade.
Caravaggio led a truly dramatic life, just like his paintings, and he is known to have committed serious crimes more than once in his lifetime. At the age of 38, he died under mysterious circumstances in Porto Ercole in Tuscany.
Bacchus was painted during Caravaggio’s 1595 sojourn in Rome with his first patron, Francesco Maria del Monte.
2. Rembrandt, Self-Portrait with Two Circles
Rembrandt van Rijn, the eminent Dutch painter, was born in 1606 in the present Netherlands, and even though he never went abroad his pieces were inspired by foreign influences. When most people think of the most significant Baroque painters and the Dutch Golden Age, Rembrandt almost universally comes to mind. This is because his work was truly significant. Auguste Rodin once famously stated,
Compare me with Rembrandt? What sacrilege! With Rembrandt, the colossus of Art! We should prostrate ourselves before Rembrandt and never compare anyone with him!
Auguste Rodin, Sotheby’s.
You Can Also Read: Baroque Artists
Self Portrait with Two Circles is a mystic piece, painted in Rembrandt’s later years of life and one of his many self-portraits.
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3. Peter Paul Rubens, The Garden of Love
Peter Paul Rubens, known for being “the prince of painters and the painter of princes,” was a flamboyant Flemish grand master of art born in 1577. His work was highly influenced by historical and mythological ideas, and his unique painting style came to be associated with the Counter-Reformation.

The Garden of Love was a symbol of love for his second wife, the young and beautiful Helena Fourment. The painting depicts a scene of flirtation in a utopian garden filled with Renaissance elements.
4. Diego Velázquez, The Rokeby Venus
Diego Velázquez was a prominent court painter of the Spanish King Philip IV. He represented the Spanish Golden Age being one of the best portraitists of his time. Velázquez was familiar with Italian art; his inspiration initially came from artists such as Raphael and Michelangelo. Later in his life, his work inspired the Realists and Impressionists.

The Rokeby Venus was strongly criticized by the Catholic Church. This painting is the only surviving piece by Velázquez that presents a female nude.
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5. Nicolas Poussin, Landscape with a Calm
Nicolas Poussin was one of the famous French Baroque painters. He introduced the classical tradition which was often described as embodying the opposite traits of Caravaggio, and there is some truth to this. His works were very subtle and his compositions were meticulously staged, just as if on a stage. Poussin inspired other great painters in later centuries, such as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.

Landscape with a Calm is an image of silent tranquility. Rather than telling us a story, the painting seeks to awaken our imagination.

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