Guest flashes her bare breasts in a VERY risqué crop top at Cannes Film Festival
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Guest flashes her bare breasts in a VERY risqué crop top at Cannes Film Festival

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Guest flashes her bare breasts in a VERY risqué crop top at Cannes Film Festival
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Stealing the show! Guest flashes her bare breasts in a VERY risqué crop top as she steps out on the red carpet for the premiere of Annette at the Cannes Film Festival

  • Guest at Cannes Festival flashed bare breasts at the premiere of Annette on Tuesday
  • The woman donned a cream pleated skirt emblazoned with a gold leaf pattern
  • Their crop top rose to reveal her breasts as she lifted her arm and posed for photos 

 

Cannes Festival is renowned for celebrating the newest films of all genres – but one guest stole the show by flashing her bare breasts in a very risqué crop top as she stepped out on the red carpet for the premiere of Annette.

The woman, who donned a cream pleated skirt emblazoned with gold leaf pattern, could be seen posing up a storm for photographers as she attended the glamorous event in the South of France on Tuesday.

However, as she placed her left arm behind her head to get the perfect shot, her crop top rose up, resulting in her breasts being on full display.

The guest, who wore her brown hair down in loose waves, accessorised with a white handbag and matching nails.

 

One guest was determined to steal the show by flashing her bare breasts in a very risqué crop top as she stepped out on the red carpet for the premiere of Annette in South of France today

As the guest placed her left arm behind her head to get the perfect shot, her crop top rose up, resulting in her breasts being on full display

 

As the guest placed her left arm behind her head to get the perfect shot, her crop top rose up, resulting in her breasts being on full display

Elsewhere, Marion Cotillard glittered in a one-shouldered silver gown as she led the stars gracing the red carpet alongside Bella Hadid, Jessica Chastain, and Helen Mirren during the event’s opening night.

The leading lady, 45, made a statement as she arrived at her film’s premiere in her ensemble that had chic detailing on the top and a structured metallic design.

Meanwhile, Bella, 24, put on a stunning display in a chic white gown that had a black chiffon halterneck detailing that showed off a glimpse of her black strapless bra.

French filmmaker Leos Carax led with his first feature film since the critically-acclaimed 2012 film Holy Motors for the new musical.

Annette is Carax’s English language debut and the movie features music from the band Sparks.

The Sparks Brothers members Ron Mael and Russell Mael wrote both this original story and the music for the film, chosen as the Opening Night selection.

Earlier today, Marion Cotillard and Adam Driver posed together at Cannes Film Festival during a photocall for the upcoming movie.

Cannes is BACK! Marion Cotillard glittered in a one-shouldered silver gown to the Annette premiere on Tuesday

 

Cannes is BACK! Marion Cotillard glittered in a one-shouldered silver gown to the Annette premiere as she joined Bella Hadid, Jessica Chastain, and Helen Mirren at the film festival’s first red carpet on Tuesday

Glamour: Bella Hadid stunned in a monochrome gown

 

Sunny: Helen Mirren wore a glamorous yellow gown

 

Bella Hadid (left) and Helen Mirren (right) were among the stars at the film festival’s first red carpet on Tuesday

Marion discussed the odd sex scenes the pair had when filming for their roles as a husband and wife, which involved some unusual singing whilst in bedroom situations.

She said: ‘On most classic musicals, you record your songs in advance and then you do playback on the set. But there, Leos wanted everything to be completely live.

‘It added to the complexity of the set: we found ourselves singing in very complicated positions, doing back-crawling or mimicking cunnilingus; acrobatic positions that technically modify your song [the way you sing].

‘But that was the effect Leos was looking for: he wanted the voices modified, thwarted, by the real [situation].’

Marion was intrigued by Carax’s vision because the musical movie – which tells the story of the titular young girl who is born with a special gift – ​is the first she can recall in which the characters have sex.

She said: ‘We strangely never see people f****** or doing trivial things in musical comedies.’

The film will be released in theatres on August 6, before debuting on the Amazon Prime Video streaming service on August 20.

Read more at expressdigest

 

Read more at DailyMail.co.uk

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“There’s A Story To Be Told There”: More Bridgerton Spinoffs Teased By Shonda Rhimes

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Shonda Rhimes teases more Bridgerton spinoffs that could come after Queen Charlotte, pointing towards her interest in exploring one character.

Queen Charlotte creator Shonda Rhimes discusses more spinoffs, previewing the possible future of the Bridgerton franchise. Having recently debuted on Netflix with India Amarteifio in the title role, Queen Charlotte focuses on the character’s younger years and tracks her rise to power. The historical drama, which garnered positive reviews, and consists of six episodes, has already led to speculation and discussion about where the show’s broader universe could go next.

Rhimes, who is an executive producer on the original Bridgerton series, was asked by IMDb about who else from Queen Charlotte‘s cast might get the spinoff treatment. In her response, Rhimes talks about Lady Danbury (Adjoa Andoh) and discusses her interest in the character, as well as feeling a young Violet would be “fascinating” to explore. See what Rhimes said below:

I wasn’t necessarily thinking about this as a Bridgerton spinoff when I started telling the story just because Queen Charlotte is so singular. But I also included the stories of Lady Danbury. And you get to meet a young Violet. And I think Violet is fascinating. And there’s a story to be told there.

 

Queen Charlotte’s Success Makes More Brigerton Spinoffs Likely

Adjoa Andoh as Lady Agatha Danbury and Ruth Gemmell as Lady Violet Bridgerton in Queen Charlotte A Bridgerton Story

In the first few days of its release, Queen Charlotte has been dominant, accumulating nearly 149 million hours, landing it on the top of Netflix’s charts for the week of May 1-7. In terms of total views, which Netflix calculates through dividing the hours viewed by total runtime, the show has 22 million views. Although it’s still early in the run of Queen Charlotte, the signs are promising.

Although somewhat obscured by its approach of releasing droves of new movies and shows each month, Netflix is very interested in expanding on its popular titles. There have already been attempts to broaden out Squid Game with a reality show, and Stranger Things with an animated series. Bridgerton, then, could lend itself more naturally to continuations that shift the focus to the origins of different fan favorites.

Rhimes has become one of the most successful and recognizable names for her ability to pinpoint interesting stories, whether it was soaping up the medical drama genre with Grey’s Anatomy or lending her cache as a producer to bring Viola Davis to television with How to Get Away with Murder. She’s done the same with Bridgerton for Netflix, and after Queen Charlotte‘s complex ending, it sounds like there are several intriguing possibilities.

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Shonda Rhimes On The Differences Between Working On ABC Versus Netflix; Reveals If Fans Affect Storytelling

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Shonda Rhimes, the creator of Grey’s Anatomy and Queen Charlotte: A Bridgerton Story, is opening up about the differences between working for a network like ABC and a streaming platform like Netflix.

“They’re completely different engines,” Rhimes told Vulture in an interview. “ABC was a very powerful, very storied institution. There’s a ton of bureaucracy. The process was you get answered ‘no’ initially and then you have to find your way.”

Rhimes continued, “Even getting Scandal to start what was live-tweeting, they were like, ‘Why would anybody do that? No.’ And then they came around to a ‘yes,’ but we just did it on our own until they saw it. We accomplished a lot in terms of exploring a woman’s right to choose, stuff I thought was just storytelling but turned out to be a real sort of quiet battle on my part to make happen on TV.”

The Shondaland production company founder signed a multi-million deal with Netflix back in 2017, which she extended in 2021 to cover films, gaming and VR content, in addition to TV. As opposed to network television, Rhimes said that “Netflix was a baby in this business” when she started working with them.

“They start with ‘yes’ and then figure out how to make something happen. And the attitude of a place that says ‘yes’ has a lot to do with your enthusiasm for doing the projects,” she added.

In terms of budget between the two, Rhimes said she “was so obsessed with Netflix in the beginning” was because someone told her that The Crown had a budget of $12 million per episode.

“I just couldn’t get over it. That is so much money. Think about what you could do with a much bigger playground,” Rhimes said.

Most of the shows that Rhimes has created drive conversations on social media and with a vocal fan base suggesting ideas of what the characters should do next, things could get tricky. However, the producer and writer doesn’t let fans dictate her creative decisions.

“I think I’m pretty famous for being a person who says I don’t pay attention to fans,” she revealed. “I don’t mean that in a bad way; I mean, the only way I know how to tell a story is to sort of be its keeper, and I therefore can’t take in all the outside influences from people’s reactions to the story. It doesn’t help me in figuring out a way to be creative in my job.”

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‘Ghosts’ Star Danielle Pinnock Renews Vows in ‘Do-Over’ Wedding After Getting Married in a Hospital ICU

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The actress and her husband Jack Wallace first tied the knot 10 years ago in a hospital ICU, shortly after her mother suffered a stroke

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