9 habits to connect emotionally with someone
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9 habits to connect emotionally with someone

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9 habits to connect emotionally with someone
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How to be more sociable and establish relationships that give us life? We explain it to you.

We all want to be that type of person who wins the hearts of others with a simple smile , who makes friends with little effort and who receives a lot of praise and praise every day.

However, this natural gift to connect with others is enjoyed by a privileged few who, for some reason, manage to have that special aura. The rest of us mortals may not have been born with that natural charisma, but with will and a little effort we can get to connect emotionally with anyone we want to meet.

Connecting emotionally with others: how to achieve it?

Many scholars and ordinary people have tried to explain why some people are more prone to connect emotionally with others, thus being able to better choose their romantic partners and even their friends. What are the qualities that make it nice to be next to a person? In today’s article we are going to try to describe these virtues.

When we think of people who know how to interact successfully with other individuals, we usually notice that they are capable of influencing the thoughts and attitudes of those around them, they are capable of inspiring them and making them get their best version. And oddly enough, all of these people share a set of values, beliefs, and habits .

9 values, beliefs and habits that will help you connect with people

The way of life of people who know how to relate effectively has some things in common that can serve as a guide to begin to evolve and improve in this regard.

Shall we start?

1. The smile always helps

When we are in a social context, the truth is that few things say more in your favor than showing you relaxed and with a smile . When we see someone smile authentically, it is very likely that we are attracted to him, or that it is for a friendship or to share an entertaining chat. Smiling at someone is also a great test of confidence.

In addition, smiles are contagious and make the people around you feel more comfortable . If you want to start a spontaneous conversation with someone, it is best to start with a good smile. Then you will decide where you want to take the interaction; If you just want a friendship or if you see that there may be something more.

2. Don’t be afraid to make friends

In the end, this is essential. If you want to connect emotionally with other people, you must be able to open up to others and build positive and healthy relationships . When you go to talk to someone, ask yourself the question: “How would I like someone unknown to treat me?”, And surely you will see very clearly that you must be respectful as well as genuine when you want to start talking with someone who, maybe, I can be your friend in the future.

It is important that you know how to  value friendship  and be careful and attentive with your friends. Practice  active listening with them, and try to help them out if possible.

3. See strangers as friends

If you walk into a waiting room or the subway, try to look at the faces of unfamiliar people and think of them as friendly faces . This will help you to have an open and proactive mindset, and to overcome your usual shyness or reluctance.

If you are in tune with the people around you, it will be much easier for you to connect emotionally with those who attract your attention the most.

4. Essential: be authentic

There is no use putting on a mask to connect with someone, because sooner or later the mask will fall and you will be portrayed. You should genuinely try to connect with other people, from your true self . That doesn’t mean you shouldn’t try to be more outgoing and open-minded, obviously!

Being authentic will bring you closer to meeting people with whom you can really connect, and forging friendships or courtships based on sincerity.

5. Try to help

Do not forget that the key to meeting people is to contribute something positive to their lives . It should not be something material, but something that can help them in one way or another. Normally, in our society we are very lacking in authentic friendships, of people in our life who can help us if we are going through a bad time or we have some difficulty.

There are always ways to help others, and it is a good idea to be a person with this human quality . Generosity is good in itself, but it also has a reward: it will be easier for you to connect with people who value your effort.

6. Take a genuine interest in others

The best way to be interesting is to show interest and attention towards your interlocutor . You sure have a lot to learn from other people. If you manage to open a window in their world, your interlocutors will see that you are a person with an open mind and with whom it is worth talking and spending time.

We all have stories we want to share, and if someone listens to us… it’s easier for us to connect emotionally with them.

7. Talk, don’t be shy

Be open and don’t hesitate to start conversations with people around you , and even with strangers. Having this attitude will allow you to improve your social skills and you will learn to connect with the passions and interests of others.

8. Get to know yourself and pursue your illusions

It is important that you know what your interests, your strengths and your goals are in life . Because knowing yourself will allow you to guide yourself and know how you can connect and help other people. If you find someone who shares your hobbies, it is very likely that the two of you are crazy for wanting to continue spending time together.

9. Be yourself

Yes, it is very typical advice. But it is still a truth like a temple. Trying to be someone else to please others is a big mistake. Show yourself as you are, even if you have flaws or vulnerabilities . No one is perfect, remind yourself often.

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5 Most Famous Medusa Paintings in Art History




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Medusa was one of the scariest creatures that Greek mythology created. Her name in Ancient Greek means “guardian, protectress”. She was a monster, a Gorgon, generally described as a winged human female with living venomous snakes in place of hair. Her superpower was simple – gazers upon her face would turn to stone.

Head of Medusa, Second half-second century, Tepidarium of Dar Zmela house, Sousse Archaeological Museum, Sousse, Tunisia.

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In a late version of the Medusa myth, related by the Roman poet Ovid, Medusa was originally a ravishingly beautiful maiden, “the jealous aspiration of many suitors,” but because Poseidon had raped her in Athena’s temple, the enraged Athena transformed Medusa’s beautiful hair to serpents and made her face so terrible to behold that the mere sight of it would turn onlookers to stone. In Ovid’s telling, Perseus describes Medusa’s punishment by Minerva (Athena) as just and well earned.

Benvenuto Cellini, Perseus with the head of Medusa, 1545-1554, Piazza della Signoria, Florence, Italy. Eventsromagna.

In most versions of the story, she was beheaded by the hero Perseus, who was sent to fetch her head by King Polydectes of Seriphus because Polydectes wanted to marry his mother. The gods were well aware of this, and Perseus got help. He received a mirrored shield from Athena, gold, winged sandals from Hermes, a sword from Hephaestus, and Hades’ helm of invisibility. Since Medusa was the only one of the three Gorgons who was mortal, Perseus was able to slay her while looking at the reflection from the mirrored shield he received from Athena. During that time, Medusa was pregnant by Poseidon. When Perseus beheaded her, Pegasus, a winged horse, and Chrysaor, a giant wielding a golden sword, sprang from her body.

Also in more modern art, the subject of Medusa’s head became quite popular. Here are the five most famous paintings depicting Medusa.

1. Caravaggio, Medusa-Murtola

Caravaggio, Medusa-Murtola, 1596, private collection. Wikimedia Commons (public domain).

Caravaggio painted two versions of Medusa, the first in 1596 and the other around 1597. About the first version, the 17th-century poet Gaspare Murtola wrote:

Flee, for if your eyes are petrified in amazement, she will turn you to stone.

This work is privately owned, signed, and now known as Murtola.

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2. Caravaggio, Medusa

The second version, shown here, is slightly bigger (60×55 cm) and is not signed though often dated 1597.

Caravaggio, Medusa, 1595-1596, Uffizi Gallery, Florence, Italy.
Caravaggio, Medusa, 1595-1596, Uffizi Gallery, Florence, Italy.

3. Peter Paul Rubens, Head of Medusa

Peter Paul Rubens, Head of Medusa, c. 1617-1618, Kunsthistorisches Museum, Vienna, Austria.

Peter Paul Rubens’ contemporaries saw in the Medusa more than a horrifying creature. It was interpreted both as a triumph of stoic reason over the foes of virtue and as the possibility of controlling passions and exercising stoical equanimity through implacable realism. The snakes were likely executed by a specialist, Frans Snyders, but the idea was Rubens’. Whilst the comportment of the two intertwined animals to the right was likely drawn from contemporary emblems, their zoologically accurate rendering is based on Rubens’ own close study of nature. For some examples, such as the winding snake in the right foreground, Rubens probably also used casts made from nature, which were particularly popular in northern Italy.

4. Arnold Böcklin, Medusa

Arnold Böcklin, Medusa, c. 1878, Germanisches Nationalmuseum, Nuremberg, Germany.

It’s hard to tell anything about this Medusa painting other than what you see. So maybe it’s a good time to say what Sigmund Freud in his Das Medusenhaupt (Medusa’s Head) thought of her. In Freud’s interpretation:

To decapitate = to castrate. The terror of Medusa is thus a terror of castration that is linked to the sight of something. Numerous analyses have made us familiar with the occasion for this: it occurs when a boy, who has hitherto been unwilling to believe the threat of castration, catches sight of the female genitals, probably those of an adult, surrounded by hair, and essentially those of his mother.

Sigmund Freud, Das Medusenhaupt (Medusa’s Head). 

In this perspective, the “ravishingly beautiful” Medusa is the mother remembered in innocence; before the mythic truth of castration dawns on the subject. Classic Medusa, in contrast, is an Oedipal or libidinous symptom. Looking at the forbidden mother stiffens the subject in illicit desire and freezes him in terror of the Father’s retribution. I know, it’s complicated.

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5. Medusa

Head of Medusa, 16th-century, Uffizi Gallery, Florence, Italy.

In 1782, Leonardo da Vinci’s biographer Luigi Lanzi discovered a depiction of Medusa’s head which he erroneously attributed to Leonardo, based on a description of Leonardo’s painting done by Giorgio Vasari. In the 20th century, Bernard Berenson and other leading critics argued against Leonardo’s authorship of the Uffizi painting. It is now believed to be a work of an anonymous Flemish painter, active ca. 1600.

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Masterpiece Story: Lady with an Ermine by Leonardo da Vinci




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One of the greatest masterpieces of Western art, Lady with an Ermine by Leonardo da Vinci, presents Cecilia Gallerani (ca. 1473-1536). Young, beautiful and talented, especially in the areas of music and literature, she entered the Court of Milan and wrote poetry, unfortunately unknown today. She was the light of the Italian language. Her contemporaries compared her to famous women in antiquity, she was even called a new Sappho. All of this attracted Ludovico Sforza, the Duke of Milan, to Cecilia Gallerani.

The famous white ermine is actually a reference to Ludovico, who was decorated with the Neapolitan Order of the Ermine in 1488 by Ferdinand I, King of Naples, hence, he was also referred to as the White Ermine (Ermellino Bianco). Ludovico and Cecilia became lovers, but to fulfill some political responsibilities, he married Beatrice d’Este in January 1491. In May of that year, Cecilia gave birth to his son, Caesar. Constrained by his wife, he asked Cecilia to leave the Court and, richly endowed, married her off to Lodovico Carminati de Brambilla, Count Bergamini. It is believed that when she left she took the portrait with her. This is evidenced by a letter addressed to her by Isabella d’Este, the Marchioness of Mantua, in 1498, requesting that it be loaned.

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After Cecilia’s death, the portrait disappeared for several centuries before it resurfaced in Poland in 1800. For years, it was erroneously considered to be the likeness of the so-called “Belle Ferronière”, a reputed mistress of King Francis I. This is evidenced by the inscription LA BELE FERONIERE / LEONARD D’AWINCI in the upper left corner alongside the artist’s surname, which is spelled in the Polish manner. However, considering Polish history in the 20th century, it is amazing that the painting actually survived. Tugged back-and-forth between Poland and Germany during the occupation of Poland, The Lady miraculously survived World War II (unlike Raphael’s famous Portrait of a Young Man). In 1939, after the Nazi invasion of Poland, an SS soldier’s footprint was found on it. Now, The Lady is safe in the Czartoryski Museum in Cracow.

The Lady with an Ermine has been heavily overpainted. Unfortunately, the original background was probably overlaid in the 17th century. Also, Cecilia’s dress below the ermine was retouched and a transparent veil worn by the woman was repainted to match the color of her hair. The result of this last retouching was to give the appearance that her hair reaches down and underneath her chin. An X-ray of this painting also reveals the presence of a door in the original background.

The Lady has another secret. French scientist Pascal Cotte spent three years on an investigation which in 2014 revealed that Leonardo actually painted the work not just in one, but in three clearly differentiated stages. His first version was a simple portrait, with no animal. In the second attempt, the painter included a small grey ermine. In the third and final stage, the animal was transformed into a large white ermine.

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Liberty Leading the People: Delacroix, French Revolution, and Coldplay




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Liberty Leading the People is probably the best-known artwork of one of the greatest artists of French Romanticism Eugène Delacroix. The painting, which has become an icon, has already served as inspiration for much, from banknotes to a cover of a Coldplay album.

Liberty Leading the People, Eugene Delacroix. Liberty Leading The People, 1830, Louvre, Paris, France.
Eugène Delacroix, Liberty Leading the People, 1830, Louvre, Paris, France.

A Liberty Story

Liberty Leading the People is a painting usually associated with the July Revolution of 1830 in France. It is a large canvas showing a busty woman in the center raising a flag and holding a bayonet. She is barefoot, and walks over the bodies of the defeated, guiding a crowd around her. This is probably the most famous artwork of Eugène Delacroix, who is known as the most important artist of Romanticism.

Eugène Delacroix was a master of color and it is in Liberty Leading the People that he clearly expressed this. Carefully, Delacroix built a pulsating and dynamic scenario about an extremely current theme in his times. As he participated little in the fighting, he wrote: “If I can not fight for my country, I paint for it.”

The painting is about freedom and revolution. First, because that is exactly what it portrays. In July 1830, France rose up against King Charles X, who was extremely unpopular for, among other things, being very conservative in political terms and trying to restore an old regime that French people no longer wanted. In the artistic sense, the painting also represented a revolution – and more than that: freedom. In the time of Delacroix, painters generally obeyed the rules of the Academy of Fine Arts which stressed the mastery of drawing, disegno. Delacroix, however, put more emphasis on the use of color in an unobstructed way.

A year after its production, the painting was bought by the French Government and but was not on display for a long time. Currently, the artwork is part of the Louvre collection.

Liberty Characters

Okay, you already know that the woman in the center is Liberty. But what about the characters around her? Well, Delacroix had an illuminist formation and believed that ideals like freedom and fraternity were fundamental to building a better society. Because of this, he portrayed several social strata in this painting. On the left, he shows a simple worker alongside a bourgeois intellectual (who would be the artist himself) and on the right side a boy, symbolizing the strength of youth.

Eugène Delacroix, Liberty Leading The People, 1830, Louvre, Paris, France. Detail.

Eugène Delacroix, Liberty Leading The People, 1830, Louvre, Paris, France. Detail.

The defeated enemies on the ground and the smoke give the air that the battle is really coming to an end and that from then on freedom can take the citizens of France to a better future.

Marianne, the Allegorical Muse

The title makes it obvious, the woman represented here is the ideal of freedom. But even as an allegorical figure, the woman is more than that: her name is Marianne, which is probably the result of joining together two very common names in France at the time, Marie and Anne.

Curiously, 18 years after the July Revolution, Marie Anne Hubertine, a French activist who fought for the insertion of women in politics, was born. This is because, although the representation of freedom was feminine, women still couldn’t vote or stand for public office – although the female figure was always chosen to represent most of the allegories…

Even today there are references made to this painting: in Brazil where I live, the painting inspired the face on our currency, and it is found also in several other countries. Her face represents the republic.

And more: in 2008, the painting was chosen as an album cover for Viva La Vida by music band Coldplay!

Liberty Leading The People, Cover of album Viva la Vida or Death and All His Friends by Coldplay, 2008. Design by Coldplay and Tappin Gofton
Cover of album Viva la Vida or Death and All His Friends by Coldplay, 2008. Design by Coldplay and Tappin Gofton. Wikipedia.

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In addition to the cover, the rock band also produced an alternative clip for the title song where the lead singer represents a king (maybe Charles X?) and he sings “I used to rule the world, I would rise when I gave the word. Now in the morning I sleep alone, sweep the streets I used to own” while we see the picture of Delacroix all the time. It seems that the Romantic painting and the dream of the French artist still can inspire us even today.

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